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Chao Tayiana Maina is a Kenyan historian and digital heritage specialist with a unique expertise at the intersection of memory, digital humanities, and public education. Leveraging a background in computing and a specialisation in heritage studies, her work is dedicated to exploring and excavating African histories, while simultaneously building and enhancing the infrastructure needed for the preservation and dissemination of these vital pasts. She is founder of African Digital Heritage, co-founder of the Museum of British Colonialism, and co-founder of the Open Restitution Africa project. She is a fellow at Yale University’s Institute of Cultural Heritage Preservation and was selected as a public historian in residence at the University of Luxembourg’s Centre for Contemporary and Digital History.
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Zoë Chinonso Ene is a designer, design researcher, and experienced daydreamer trained in Industrial Design and working as a Sr. UX designer at Microsoft. As a Ph.D. candidate at the Royal College of Art’s School of Design, she researches heritage engagement methods in and for design/making processes within the Nigerian context, using Igbo historical material and creative culture as a starting point. Through her award-winning design studio and research collective, Homenkà, she explores an approach for creating and co-creating new objects and experiences that honor the historical past by synthesizing with the present to materially continue culture in the Nigerian context. Her latest ongoing research study, The Replica Project (TRP), blends photogrammetry, replication, and the design process to investigate questions of our proximity to heritage, with one of them being: In what other ways can repatriated or displayed objects in African museum archives find new life? By exploring the exact replication of a historical object steeped in a rich cultural context that makers can have direct access to, Zoë plans to observe and record the methods and ideas generated through proximal engagement and start a conversation with the creative community and public about stepping “beyond the museum glass” to encounter material history tangibly, playfully, and with more agency. TRP explores the untapped value of historical material culture within archives and by using replication to encourage proximal engagement for designers and makers who create the things we interact with daily.
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Published Work: The Replica Project
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Molemo Moiloa is the Executive Director of Andani Africa and cofounder at Open Restitution Africa. She also lectures at the University of the Witwatersrand, where she received her Master’s degree in Social Anthropology cum laude. She was an Africa No Filter (ANF) Fellow in 2021. Her study explored how art and artefact restitution are being discussed across the continent. At Andani Africa she is involved in various projects engaging with museum practice. At Open Restitution Africa, she is the research lead. She also co-leads The Ungovernable, an experiment in community practice and ungovernability. Molemo is a Soros Arts Fellow 2023/24, was a Chevening Clore Fellow 2016/17, and winner of a Vita Basadi Award for 2017.
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Published Work: Reclaiming Restitution: Centering and Contextualising the African Narrative
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Ngaire Blankenberg, founder of the Institute for Creative Repair, is a forward-thinking leader in the world of arts, culture, and heritage. As former Director of the Smithsonian National Museum of African Art, she championed a vision for a 21st-century Global African Art Museum, emphasizing African philosophies and issues of restitution. With over 20 years of expertise, she’s advised more than 55 cultural projects in 35 cities across the globe, encompassing museums, urban development, archives, community engagement, and decolonization. Ngaire’s work fosters transformation, contributing to more regenerative art ecosystems. She’s co-editor of impactful publications urging museums to play a more vital role in equitable, inclusive cities and offering guidance for cultural institutions navigating the digital age.
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Nana Oforiatta Ayim is a writer, filmmaker, and art historian who is a mobilising force in the Presidential Committee on Ghana’s Museums and Cultural Heritage. In her work, she has sought to understand the various relativities of cultural contexts and to give voice to that understanding in a way that speaks to both the actors and communities of that context, as well as the wider world. She is director of the ANO Institute of Arts & Knowledge, through which she has pioneered a pan-African Cultural Encyclopedia, reimagining narratives from across and about the continent; and a Mobile Museums project that travels into communities to collect material culture and exhibits them in those communities to, creating discourse about narratives, memory and value. Ghana announced the Presidential Committee on Ghana’s Museums and Cultural Heritage, a Committee appointed to propose new policies to investigate radical new ways of presenting narratives, as well as engaging communities from across social divides in Ghana, so that they might see themselves properly represented in their museums. Their report is available to the public as of 2021.
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Published Work: Speak Now in Frieze Magazine A New Chapter: Ghana's Museums and Cultural Heritage
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Jim Chuchu is an interdisciplinary artist whose work spans music, film, photography, and the visual arts. Chuchu's artistic journey is marked by the exploration of identity, culture, and the complexities of the African experience. In 2012, Chuchu co-founded The Nest Collective, serving as co-director until 2021. Concurrently, he co-founded HEVA in 2015, a fund investing in East Africa's creative economy, which has since invested more than $3 million in creative businesses. Chuchu's involvement with the International Inventories Programme (2018-2021) marked another transformative phase in his career. This project, exploring the presence of Kenyan cultural objects in global institutions, led to a deepening of his understanding of the historical injustices that form part of Kenya’s colonial history, and the ongoing systemic challenges faced by Black individuals globally. The project catalogued an inventory of more than 32,000 objects and engaged various publics on urgent debates about object movement and colonial history. His work on this project culminated in his selection as a TED Fellow in 2021, where he delivered the talk: Why are stolen African artefacts still in Western museums? Chuchu's current projects reflect his continued exploration of diverse mediums and themes. He currently serves as Creative Director for African in the Anthropocene, a multimedia project examining how communities across Africa experience and respond to climate change. He is also co-producing Fight for Food, a documentary exploring food production in Kenya, while developing new experimental design work and his second feature film project.
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Published Work: Invisible Inventories: Questioning Kenyan Collections in Western Museums. International Inventories Programme’ (Kwani? and Iwalewa Books, 2021)
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Dr. Rudo Sithole is a highly experienced museologist and director in the heritage sector with a passionate focus on African heritage and its restitution. She founded AFRIMUHERE, an association for African museums dedicated to heritage restitution. Dr. Sithole is a key member of the African Union's experts working group on restitution and played a pivotal role in crafting the Common African Position on Restitution. She recently led a comprehensive restitution baseline study across 16 African countries for the Open Society Foundations. Dr. Sithole is an internationally recognized advocate and speaker on African restitution, with extensive experience in directing museums and managing continental museum associations. She holds a PhD, a Master's degree, and BSc degrees in the natural sciences.
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Dr Njoki Ngumi is a writer and feminist thinker who has held positions in private and public healthcare sectors in Kenya. She is now a member of the Nest, a Kenyan multidisciplinary collective of artists, builders and makers, and the coordinator of learning and development for Africa's first creative economy catalyst fund, HEVA. She takes a special interest in the circumstances and holistic outcomes of youth, women and minorities. She also leads and participates actively in policy making and strategy, media analyses and debates, public education and dialogue, groundwork, pilots and practical interventions across sectors and arenas to make socioeconomic equality and advancement for them a reality.
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Published Work: Open Restitution Africa Webinar with Dr Njoki Ngumi, vol. 1, 4 vols, Restitution Dialogues, 2020
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Kodzo Gavua is an archaeologist and ethnographer who holds a PhD and a Master of Arts degrees from the University of Calgary, Canada. He also earned a Master of Arts degree in International Affairs and a Bachelor of Arts (Honours) degree in Archaeology and Philosophy from the University of Ghana. Kodzo serves as an Associate Professor of Archaeology and Heritage Studies at the University of Ghana, Legon, and researches the effects of cross-cultural interactions on Africa’s cultural heritage and economic development. He engages in public archaeology, anthropology of tourism, economic anthropology, art history, material culture studies, and museum studies. Gavua established and coordinates the A.G. Leventis Digital Resource Centre for African Culture at the University of Ghana.
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Published Work: We Need to Intensify Education on Restitution
Chao Tayiana Maina is a Kenyan historian and digital heritage specialist with a unique expertise at the intersection of memory, digital humanities, and public education. Leveraging a background in computing and a specialisation in heritage studies, her work is dedicated to exploring and excavating African histories, while simultaneously building and enhancing the infrastructure needed for the preservation and dissemination of these vital pasts. She is founder of African Digital Heritage, co-founder of the Museum of British Colonialism, and co-founder of the Open Restitution Africa project. She is a fellow at Yale University’s Institute of Cultural Heritage Preservation and was selected as a public historian in residence at the University of Luxembourg’s Centre for Contemporary and Digital History.
